Gold Boulder Series (2015 - 2017). Polystyrene, fibreglass, resin, jesmonite, gold paint. Dimensions variable.
Scenery II (2015). Sculpture Series – Digital photograph mounted on to wooden screens. Dimensions Variable.
Imaginary Voice, Real Voice #1 / #2 (2016) (Installation View). Video series. Dimensions variable.
Body / Image #1 / #2 (2016) (Installation View). Video Series. Dimensions variable.
Psychedelic Western #1 – #14 (2015-17). Digital photographic series. Wall Based: Dimensions Variable.
Photography: Jules Lister
Lay of the Land (and other such myths) (2016/17) visualises the relationship between the deserts of California and gendered representation, as video, photography, sound, sculpture and performance are employed to reclaim geographical sites used as Hollywood film locations. In this installation, reductive replicas of boulders forefront psychedelic vistas reminiscent of film sets, and digitally reconfigured female bodies float across screens in a way that deconstructs and calls into question their culturally constructed identity.
Exhibited:
TRADE - curated by Swap Editions, hosted by SET, Bermondsey, London 2017
Formation - Curated by SITE Gallery for Abandon Normal Devices Festival 2017
Lay of the Land (and other such myths) - curated by MDP, Airspace Gallery, Stoke, May 2017
Lay of the Land (and other such myths) - curated by MDP, HOME, Manchester, Jan 2017
Lay of the Land (and other such myths) - curated by MDP and CWCA, London Art Fair, London, Jan 2017
SLUICE Art Fair - curated by Bloc Projects, OXO Tower Wharf, Southbank, London, UK, 2015